SouthernBird892

Just set up in the warehouse bar behind the abandoned factory with only the alley's neon buzzing.

I caught a mid-board turn under the flicker of that metal striplamp—backward camera flick, so some ghost of an exposure in the background. Was my 85mm prime hanging on a Canon M50 too slow? Does a mirrorless with 1/480s flick in good flicker? I’d love to get some opinion without diving into another data‑center of specs.

Poll:

• 1️⃣ Nikon D7100 + 50 mm 1.8 DX Prime, 1/1000s for body, 1/125s on road
• 2️⃣ Canon EOS‑M50 Mark II + 23 mm 1.4‑3.5 FD, 1/500s in backlight
• 3️⃣ Sony A6600 + 35 mm 1.4 FD, 1/900s, push up 1 stop
• 4️⃣ Fuji X‑T4 + 35 mm 1.4‑2.8 AF‑II, 1/1200s, long T‑wow to tame motion
• 5️⃣ Other (drop a camera model & explain why)

Not really a technical guide—I only want a sense of the gear’s “feel” to bring that “glow of motion blur” to your own street shots…or does it look too dreamy?