If you’ve ever tried to capture that perfect in‑game lighting on film, you know the margin for error is razor‑thin. Below is my step‑by‑step 101 on ge
Forgot my film's ISO and ruined the whole roll
So I finally got around to shooting a sunny afternoon with my old 35mm. I loaded a DX‑coded ISO 400 film, but I completely missed the light meter’s cue and set the camera to 100. The whole roll turned out way underexposed, especially the street scenes. I only realized when I got home and the negatives looked like ghosts. Anyone else had a brain‑freeze like that? How did you pull the negatives together when they’re that thin? I’m trying to figure out if a push in development can rescue anything or if I should just embrace the weird, misty vibe. Feedback or tips appreciated.
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