ThunderingGazelle503
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Help: Choosing the right embroidery hoop for intricate goldwork designs
I've been trying to get into goldwork embroidery and I'm having some trouble with the hoops. I've got a few different sizes of the Sullivan's embroidery hoops, but I'm not sure which one to use for a specific design. I've heard that the 4 inch hoop is good for intricate work, but I've also seen people using the 6 inch hoop for goldwork. Can someone explain the difference to me? I've been using the 4 inch hoop so far, but I'm worried that it's going to be too small for the design I want to do. I've also considered using a hoop with a tighter stitch tension, like the ones by Clover. Does anyone have any experience with those? I'd really appreciate any advice or guidance.
Help: Choosing a handheld microphone for live cooking demos – SM58 vs e935 with cardioid vs supercardioid patterns
Running a weekend brunch where I guide people through risotto. Need a mic that captures my voice over stovetop hiss but ignores the clatter of pans. Using a Shure SM58 on a boom arm right now; feedback spikes when the sous‑chef chops nearby. Looking for alternatives that work with a small PA and have strong off‑axis rejection.
Specifics I care about:
- Frequency response flat around 2‑5 kHz (speech intelligibility range)
- Built‑in pop filter or need for an external one
- Compatibility with SM58‑type XLR cable up to 15 m
Any thoughts on Sennheiser e935, Audio‑Technica PRO44, or newer options like Shure Beta 58A? Also, recommendations for a portable vocal booth or foam windshield that fits a kitchen prep table would be helpful.