Help: Which audio interface gives the cleanest sound when I record my film‑photography podcast episodes?

Alright, I keep mixing my love for grainy 35mm with my endless rant‑sessions about gear. When I finally sit down to talk about the latest roll, I need an interface that won’t color the sound the way a cheap mic does. So, quick poll – pick the one you’re actually using and tell us why you stuck with it:

• Focusrite Scarlett 2i2 (3rd Gen) – cheap, reliable, “does the job”
• Universal Audio Apollo Twin X – high‑end conversion, built‑in UAD plugins, worth the price?
• PreSonus Studio 68c – decent I/O, decent price, claim it’s “transparent”
• RME Babyface Pro FS – boutique, low latency, “audio‑engineer’s dream”
• Other (comment with model & why)

Drop a line with your choice and a short sentence on the biggest win (or nightmare) you’ve had with that box. Bonus points if you can name a specific episode where the interface saved a bad mic setup.

I’ll tally the results and post a mini‑guide on matching interface specs to your typical film‑photo workflow (like syncing B‑roll shutter clicks to narrative beats).